Published Writing on Antonia Hirsch ( * denotes publication)

2013

  1. Beltig, Hans; Buddensieg, Andrea; Weibel, Peter. The Global Contemporary and the Rise of New Art Worlds. Karlsruhe: ZKM Centre for Art and Media Karlsruhe, 2013. *
  2. Paris, Brittany and Hirsch, Antonia. Annotations: Out of Circulation (interview), Triple Canopy, January 13, 2013 (link).

2012

  1. Anderson, Heather. Sounding Selves. Sounding Selves, Halifax: Dalhousie Art Gallery, 2012. *
  2. Bourgeois, Mireille. Sounding Selves. Toronto: C Magazine, Issue 116 / Winter 2012.
  3. Brown, Lorna (ed.). Group Search [art in the library]. Vancouver: Other Sights for Artists’ Projects Association, 2012. *
  4. Meister, Clara (ed.). Compilation of Translations: One Year at Ludlow 38. Berlin: Sternberg Press, 2012. *
  5. "one and the other are another" at Ludlow 38, New York. Mousse Magazine Online, (link).
  6. McLaughlin, Bryne. Sounding Selves: Bring the Noise. Canadian Art Online, (link).

2010

  1. Anderson, Heather. Antonia Hirsch. It Is What It Is. Recent Acquisitions of New Canadian Art. J. Druin-Brisebois, G.A. Hill, A. Kunard (eds.), Ottawa: National Gallery of Canada, 2010. *
  2. Cloughton, Rachael. Frieze Art Fair 2010. Edinburgh: The Journal, October 25, 2010.
  3. Allan, Jan. Sorting Daemons. Sorting Daemons: Art, Surveillance Regimes, and Social Control. Jan Allen, Kirsty Robertson, Sarah E.K. Smith (eds.). Kingston: Agnes Etherington Art Centre, 2010. *

2009

  1. Baldissera, Lisa. Pleasure Gardens, Mansfield Park, And the Community of Tomorrow. Fantastic Frameworks: Architectural Utopias and Designs for Life. Victoria: Art Gallery of Greater Victoria, 2009. *
  2. Burke, Gregory. Universal Code Toronto: The Power Plant, 2009. *
  3. Graves, Jen. The Vancouver Problem. Seattle: The Stranger, April 7, 2009.
  4. Kwan, Vanessa. Double Blind. About the Work. Vancouver: Vancouver Community College, 2009.
  5. Lexier, Micah. For Example (Hirsch, MacCallum, Macdonald). Halifax: Mount Saint Vincent Art Gallery, 2009. *
  6. McKee, Jesse et. al. Friends of the Divided Mind. London: Royal College of Art, 2009. *
  7. Laurence, Robin. Antonia Hirsch: Anthropometrics / Double Blind. Vancouver: The Georgia Straight, May 7–14, 2009.
  8. Paolini, Laura. Awash in Meaning. Toronto: Musicworks #105, Winter 2009.
  9. Ritter, Kathleen. How Soon Is Now? Vancouver: Vancouver Art Gallery, 2009. *
  10. Todd, Jeremy. What Are We Now? Saskatoon: BlackFlash, Fall 2009 Issue 27.1.

2008

  1. Mackie, John. Antonia Hirsch launches a double-barreled art wave in Vancouver. The Vancouver Sun. October 18, 2008.
  2. Laurence, Robin. An Art First On Robson Street. Arts Notes. Vancouver: The Georgia Straight. October 23-30, 2008.
  3. Mitges, Lynn. Zero in on a new wave. Vancouver: The Province. October 19, 2008.
  4. Peck, Aaron. Everything Should Be Made As Simple As Possible, But Not Simpler. Toronto: Canadian Art . Fall 2008.

2007

  1. Rimmer, Cate. Looking at the Weather. The Banal. Montréal: SBC Gallery of Contemporary Art, 2007. *
  2. Sava, Sharla. Gridlock: Antonia Hirsch’s World Map Project. North Vancouver: The Capilano Review 2:50, 2007.

2006

  1. Burnham, Clint. When it comes to bodies, size does matter. Vancouver: The Vancouver Sun/Westcoast Life, December 7, 2006.
  2. ~. Concrete Language at Times Unwieldy. Vancouver: The Vancouver Sun / Westcoast Life, October 26, 2006.
  3. Cheng, Amy Huei-Hua. Boundaries/Altered States. Altered States. Taipei: Art and Collection, 2006. *
  4. Laurence, Robin. Hirsch measures our worth. Vancouver: The Georgia Straight, November 16, 2006.
  5. Ming-hui, Liu. A Game of Words and Images (in Chinese). Taipei: ARTCO, November 2006.
  6. Sheng-hung, Wang. Opening a Channel onto Reality (in Chinese). Taipei: ARTCO, November 2006.
  7. Szewczyk, Monika. Strain of Thought: Antonia Hirsch’s World Map Project. Altered States. Taipei: Art and Collection, 2006. *
  8. Viau, Rene. Cartographies Conceptuelles. Montréal: Le Devoir, December 2-3, 2006.

2005

  1. Aylett, Alex. Off the Map. Toronto: This Magazine, Sept/Oct 2005.

2004

  1. Cheng, Amy Huei-Hua. Ruins and Civilization. Taipei: Eslite Art Space, 2004. *
  2. Crevier, Lyne. Front Froid. Montréal: Ici. January 29-February 4, 2004.
  3. Hellman, Michael. Méditations autour du climat. Montréal: Le Devoir, January 31, 2004.
  4. Henderson, Lee. A different Look at The Weather. Vancouver: The Vancouver Sun, April 10, 2004.
  5. Laurence, Robin. Diverse Works Weather Well. Vancouver: The Georgia Straight, April 22, 2004.
  6. Mavrikakis, Nicolas. Ciel gris avec percées de soleil. Montréal:Voir. February 5-11, 2004.

2003

  1. Culley, Peter. Antonia Hirsch. String Theory. A Note. Vancouver: Xeno Gallery, 2003. *
  2. Klobucar, Andrew. Postscript to Pulse. Post Script 8. Vancouver: Artspeak, May 2003. *
  3. Lovejoy, Bess. Strange Animals. Seattle: The Stranger. Vol 13, No. 12, Dec 4 –10, 2003.

2002

  1. Gale, Peggy. Empire Line. Calgary: Artichoke , spring 2002.

2001

  1. Brayshaw, Christopher. VAG Finally Clicks Into Noisy World of Contemporary Art. Vancouver: The Georgia Straight, May 31-June 7, 2001.
  2. Dorsett, Chris. Divers Memories. Newcastle upon Tyne: Divers Memories Publications, University of Northumbria at Newcastle, 1996. *
  3. Fortin, Sylvie. Empire Line and Fluid Space: History, Gender and Desire in the Posthuman Age. Pink Link — ou la proposition rose. Montréal: La Centrale, 2001. *
  4. Gale, Peggy. Empire Line. Toronto: Gallery 44, 2001. *; Tranz  Tech 2001. Toronto: Toronto International Video Art Biennial, 2001.
  5. Milroy, Sarah. Onward and Upward. Toronto: The Globe and Mail, August 11, 2001.
  6. Murtell, Jocelyn. Antonia Hirsch: Empire Line. Toronto: Lola 11, winter 2001–02.
  7. Roy, Marina. These Days. Vancouver: Last Call, issue # 2 / vol.1, fall 2001.
  8. Scott, Michael. Art of Global Importance. Vancouver: The Vancouver Sun, May 5, 2001.
  9. Turner, Michael. These Days. Toronto: Mix Magazine, fall 2001.
  10. ~. These Days. Los Angeles: Artext, No. 75, fall/winter 2001.